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“Yes, I have a belief system, but I don’t know everything, and we’re all just as messed up as each other,” she says. Like, hmm, there’s something weird there.” Scott says her parents essentially allowed her to discover her faith on her own, which not only made it stronger but also helped her relate to those who don’t share it. “I’m definitely a questioner in every sense-and if someone shuts down my questions, then I question even more. “Ultimately, what’s really important is having an openness to questions,” Scott says. But her parents’ take on Christianity was less rigid than stereotypes would suggest. her father is English.) “I’m sure there are many things that come to mind when people hear ‘pastor’s kid,’ ” she says. (Her mother’s family emigrated from India to Uganda and eventually to the U.K. Scott’s parents are both pastors at a church on the outskirts of London.
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ain’t sweeter/It’s just full of dreamers.”) Still, this year she plans to record at least one track with a full choir as backup. (“Did no one tell you that the grass ain’t greener?/L.A. In the single “So Low,” which Scott released last year, she bemoans a lost love who was dazzled by the wrong things. “I think that I have the bits that can translate commercially when the time is right.” Genre-wise, she’s been influenced by gospel pop from artists like Mary Mary and Kirk Franklin, though recent songs are more steeped in R&B and are clearly not geared toward Sunday morning church playlists-or Disney soundtracks. “I don’t see myself as a niche artist,” Scott says. (Her biggest film gig so far was in the 2017 Power Rangers movie.) But she always figured that singing and songwriting would be her main vocation, and the plan is still to make it big in the music world.
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Scott began singing as a kid in church, and by her teens was acting in projects like the sci-fi series Terra Nova and the Disney TV movie Lemonade Mouth. “That idea of being a catalyst-if you speak up, maybe I can speak up.” So this time, Jasmine gets her own soaring anthem, called “Speechless.” “It’s basically her declaration that she’s not going to be silenced, which, as we all know, is a message that’s very important right now,” Scott says. But he soon realized she had the chops to do more than just belt out a decent rendition of “A Whole New World.” The soundtrack for Ritchie’s Aladdin includes two new songs by the original composer, Alan Menken, who collaborated with Benj Pasek and Justin Paul, of La La Land fame. Ritchie recalls that when he first met Scott in London, he didn’t even know she’d been singing for years and was already wrapping up the third EP of her own songs. “I’m a mix of a bunch of things,” she says. She’s a devout Christian, she’s a Brit with Indian heritage, she’s a footballer’s wife, she’s shooting her own music videos and producing another project for a U.K. With a budding career as a singer and songwriter and other stuff too, Scott possesses an array of traits and passions that once may have seemed contradictory but that for her generation, she hopes, is becoming routine. But the growing buzz about Scott, who also costars alongside Kristen Stewart in this fall’s new installment of Charlie’s Angels, is especially notable because she’s not even sure whether acting is her real calling. (Her idea.) True, she’s an actor, and most actors can be convincingly likeable for an hour or two. First, Scott charms the hostess, the waiter, and a passing infant in a stroller, and by the end of breakfast she has my phone in her hand so she can record a video message for my young niece and nephews-a personalized shout-out from Princess Jasmine. What if her allure is merely interplanetary? But shortly after she settles into a corner booth, wearing a white top and chunky boots, I start to see what Ritchie means. So of course I’m prepared for a letdown when Scott turns up that morning at a West Hollywood restaurant. “Naomi is something of a nuclear reactor when it comes to radiating generosity and talent,” he says, adding that her natural charisma is downright “intergalactic.” Ritchie isn’t generally the type to offer up immoderate praise, but on the subject of Scott he gushes with abandon. A few minutes before my interview with Naomi Scott, the 26-year-old Londoner who plays Princess Jasmine in the new live-action version of Aladdin, I get a call from the director Guy Ritchie that puts me on alert.